Showing posts with label Mosaic. Show all posts
Showing posts with label Mosaic. Show all posts

Saturday, 18 November 2023

Turkey: In Cappadocia Archaeologists discovered a huge mosaic and the Greek inscription "if you are healthy, enter". - 18.11.2023

 

Turkey: In Cappadocia Archaeologists discovered a huge mosaic and the Greek inscription "if you are healthy, enter".

Original Greek title: "Τουρκία: Αρχαιολόγοι ανακάλυψαν στην Καππαδοκία τεράστιο ψηφιδωτό και την ελληνική επιγραφή «αν είσαι υγιής, μπες»", Πρώτο Θέμα, 07.11.2023.


As part of the excavations, new mosaics were uncovered in a 33-room villa, which is estimated to have been built in the 4th century AD.



Discovery in the area of İncesu in Caesarea during excavations.

In the centre of Turkey, in a villa with 33 rooms, a construction with the largest floor mosaic was found, and parallel walls were discovered with the Greek inscription: "If you are healthy, enter" were found inside the space.

Specifically, as part of the excavations that continued this year, new mosaics were uncovered in the villa, which is estimated to have been built in the 4th century AD.

The Director of Culture and Tourism of Caesarea (Kayseri ) stated that the excavation started three years ago and that every year more and more surface is revealed. "The initial estimate of the area where the mosaic is located was 300 square meters and now it has reached 600 square meters," he said.



Excavations continued on an area of about 4 thousand square meters. “We came to the conclusion that this place was built in the 4th century. According to the finds, there are also traces dating from the 3rd century onwards. The quality technique used in the floor mosaics indicates that this place was a very important villa at the time" emphasized the Director of Culture.

“In the space identified as the banquet hall, a Latin inscription was found. In addition, Greek inscriptions were also discovered. There are mostly geometrically decorated mosaics," he added. Excavations have come to an end for this year, but are expected to continue next year.



The person in charge of the excavation project stated that the structure continued to be used during the Byzantine period and after the arrival of the Turks in Anatolia.

The mosaics first came to light during archaeological restoration work in 2010. After two excavations (2010 and 2012) that partially revealed the mosaic inscriptions, some legal issues forced the suspension of archaeological work. Excavations started again in 2020 and by the end of 2021, more than 10 rooms with around 300 m2 of continuous mosaic floors that were in excellent condition had been uncovered. This year's excavations have doubled the area of the mosaic, which now reaches approximately 600 square meters. So far, approximately 4,000 square meters of the site have been excavated.



The Latin inscription states, among other things, that the building was erected under the direction of Count Hyacinthos. Count was a title awarded to officials of the imperial court. But nothing is known of an official named Hyacinthos recorded in this inscription.




Another, much shorter inscription in a smaller adjacent walled room is in Greek and reads: "If you are healthy, enter." This could refer either to physical health, or, if the building had a religious purpose, it could be a condition that all who were allowed to enter the premises had to be mentally healthy.

For more information and images see:

https://www.raillynews.com/2023/11/Mosaics-in-%C4%B0ncesu-illuminate-the-history-of-Kayseri/

https://www.thehistoryblog.com/archives/68762

https://news.artnet.com/news/largest-known-4th-century-floor-mosaic-uncovered-in-turkey-2395605

https://www.thisiscolossal.com/2023/11/anatolian-mosaics/

https://www.dailysabah.com/arts/largest-byzantine-mosaic-structure-found-in-central-turkey/news (for the image of the Greek inscription)

 

Notes by ArchaeologyMatters:

Although I only have knowledge of the discovery through the press, there are some conclusions that we can draw.

As for the Latin inscription, it appears to read:

VOTIS XXX MVLTIS * XX BIS XX

CVRANTE YACINTHO COMITE

FABRICA AD SVMVM PER

DVCTA ES CVLMEN

1.       For the vows on the thirtieth anniversary of the rule of the emperor, and more (vows) for (another) twenty years, and twenty more years again.

2.       While Hyacinthos, holding the office of count, was governing,

3.       building, up to the roof

4.       you were delivered.

 

VOTIS - Votis (Decennalibus) : Vows/Prayers for 10 years of rule

CVRANTE = Curante: While (he) was governing

YACINTHO: Yakinthus

COMITE: count

PERDVCTA - perducta: conducted, delivered

FABRICA:  A skillful production, fabric, building, structure.

CVLMEN - culmen: top, roof, summit (cf. culmination)

The Emperor implied in the first line is probably Constantius (Κωνστάντιος)II – 317-361 (cf. his coin: https://commons.wikimedia.org/wiki/File:Constantius2cng10400876.jpg). This appears to be consistent with dating given in the article.

https://upload.wikimedia.org/wikipedia/commons/1/1a/Constantius2cng10400876.jpg?20200831172840


The name YACINTHO is Greek (Υάκινθος). In mythology this was a lover of Apollo, whom the god killed accidentally. The Spartans celebrated a festival called the Yakintheia during a month called after him (Μηνός Υακινθίου) that corresponded to the Attic κατομβαιών (May-June). Interestingly the latinised form here remains closer to the Greek (not “Hyacintho”).

The Greek inscription:

ΥΓΕΙ

ΕΝΩΝ

ΕΙCEΛ

ΘΑΙ

Ὑγιένων (sic) – Ὑγιαίνων (;): Definition: to be sound, healthy - Usage: I am well, am in good health; I am right, reasonable, sound, pure, uncorrupted.

Note the spelling Ὑγιένων instead of the more usual Ὑγιαίνων. This obviously attests to the pronunciation of the word in the 4th c. AD, although y this time even the most hard-line accepts that the pronunciation had evolved. Conversely it is interesting that the author of the work chose this unconventional spelling.

Είσελθαι:  εἰσέρχομαι

to go into, enter, invade

(of the chorus or of actors) to come upon the stage, to enter

(as an Attic law term, of the accuser) to come into court

(of the parties, with accusative) to enter upon the charge

(of the accused) to come before the court

(of the cause) to be brought in

to enter on an office

Interestingly, we also find Υγιαίνων as the name of an official of the Kingdom of Bosporus in the 3rd century BC, as attested by coins. 

Πηγή: https://el.wikipedia.org/wiki/%CE%A5%CE%B3%CE%B9%CE%B1%CE%AF%CE%BD%CF%89%CE%BD_%CF%84%CE%BF%CF%85_%CE%92%CE%BF%CF%83%CF%80%CF%8C%CF%81%CE%BF%CF%85#/media/%CE%91%CF%81%CF%87%CE%B5%CE%AF%CE%BF:%D0%97%D0%BE%D0%BB%D0%BE%D1%82%D0%BE%D0%B9_%D1%81%D1%82%D0%B0%D1%82%D0%B5%D1%80_%D1%86%D0%B0%D1%80%D1%8F_%D0%93%D0%B8%D0%B3%D0%B8%D0%B5%D0%BD%D0%BE%D0%BD%D1%82%D0%B0.jpg

cf. Elena Stolyarik. THE REIGN AND CHRONOLOGY OF THE ARCHON HYGIAENON. Leucon of Bosporus.

The same name is also to be found on a 4th century White-ground lekythos in the British Museum (1874,1110.1 - https://www.britishmuseum.org/collection/object/G_1874-1110-1): "ΥΓΙΑΙΝΟΝ ΚΑΛΟΣ" and in Aristotle's Rhetoric 1416a-1416b as an accuser of Euripides in a court case. 

In our case the "ΥΓΕΙΕΝΩΝ ΕΙCEΛΘΑΙ" is probably a formula of blessing "Come in and may you be in good health" (cf. the modern "Γειά σου" - "Το your health"), rather than the conditional proposed in the article that has led to the accompanying hypothesising. 

For similar formulations (and other examples of the spelling with an "E", see Anna Avramea, Le Péloponnése du IVe au VIIIe siècle. Changement et persistances, Publications de la Sorbonne, Paris 1997, p. 145-155, that reproduces the examples collected by L. RobertBulletin épigraphique 1976, 751:  "ὑγιαίνοντες ἀπ[ολαύετε] (Salamine de Chypre) ; ἐν ὑγίᾳ λουσάμενος ἀπολαύσιας (Jérusalem) ; εὕχεσθαι οῦν οἱ ἀπολαύοντες (Zénonopolis). Cf. en dernier lieu, J. RusselThe Mosaic Inscriptions of Anemurium, Vienne 1987 (Ôster. Akad. der Wiss., Philos.-Hist. Klasse, Denkschriften 190), p. 33 : ]υγιένων λούσε".






Sunday, 12 October 2014

Mosaics from Amphipolis (Kastas Toumba)


Although not yet fully uncovered - and the excavators not having released their thoughts on the find - we believe the image is another "Rape of Persephone". Remember the wall-painting in Tomb A of the Great Tumulus of Vergina, with the same imagery: Hermes running in front of the horses pulling Hades' chariot...

So probably here we have another rendering - in mosaic this time - of the famous lost work of Nikomachus of Thebes.

On a side note: the geometric sceme around the central composition is closely comparable to that of the rape of Helen by Theseus on the mosaic in the house at Pella. It is interesting that this last is dated to 325-300 BC.
The Pella mosaic.
Source:
Proto Thema, 12/10/2014

Thursday, 25 March 2010

Syrian Mosaics restored

Archaeologists: Sublime technique makes Syrian mosaics one of the greatest in the world


H. Sabbagh
Wednesday, 24 March 2010 01:51
syria-_Mosaics
Hama governorate contains some of the most important mosaics in Syria, with around 50% of uncovered mosaics, most significant of which is "Tiba al-Imam," a 600 square meters mosaic dating back to 242 AD.

Another mosaic housed at Hama National Museum is the "Musicians" mosaic. This piece, measuring 4.25 meters by 5.37 meters, depicts six female musicians and two children, in addition to old musical instrument including an organ, cymbals, two flutes, a harp and an Indian musical instrument consisting of metal bowls placed on a table.

In a statement to Syrian press, Professor of mosaic restoration at Athens University Stephania Chlouveraki underlined the strong composition and accuracy of representation in the Musicians mosaic, noting the small details such as attire, hair, braids, gentle smiles and wide eyes.

Prof. Chlouveraki , who is a member of the team tasked with establishing a lab for restoring mosaics in Hama National Museum, pointed out that Hama governorate contains a very important mosaic dating back to 362/363 AD depicting Socrates with six wise men standing around him.

This mosaic, which is displayed in Apamea Museum, was found beneath the Great Catherdal and Apamea. It reflects the connection that existed between the Syrian and Greek cultures.

The professor went on to discuss other important mosaics at Apamea Museum, including a mosaic depicting a deer and another depicting a beauty contest between nymphs. The latter mosaic, dating back to 362/363 AD was found in Apamea in the Roman building on which the Great Cathedral was built.

Prof. Chlouveraki said that Syrian mosaics are the richest and greatest in the world due to their sublime technique, wealth of human and natural subjects depicted in them, and their portrayal of lifestyles across various periods, underlining the skill of ancient Syrian craftsmen who were pioneer in this ancient art.

She stressed that Syrian mosaics are rare and unique archeological finds, with their magnificent figures, enchanting designs, high level of precision and skill, and the decorative elements that represent important historic records and documents of various periods, adding that Syria has a considerable and important reservoir of mosaics.

Regarding the project for documenting and resotring Mosaics in Hama Museum, Prof. Chlouveraki said the first stage of the project began in 2004 by documenting all mosaics in Syria, while the second stage which is currently underway involves establishing a lab for restoring mosaics in the museum that serves as a center for training Syrian archeological restoration workers and archeology students to restore and preserve mosaics.

She pointed out that the project aims at spreading awareness on how to properly handle mosaics, adding that staff from the General Department of Archeology and Museum were trained last year in the latest methods for restoring mosaics, while training in 2010 focused on staff from Hama Department of Archeology, who worked on a mosaic dating back to Byzantine period, which will soon be ready for display.

Ancient Syrian, Greek, Roman and Byzantine artist used colored stone or glass to make mosaics, depending on the location where the piece would be installed. Mosaics discovered across Syria depict a variety of subjects, with some depicting daily life and social, economic and cultural activities, while others depicted the beauty of nature or mythology.

Source: Global Arab Network